When I have too much to say, I have nothing to say

It's about 10:30pm now and I am dead tired. I will go to bed soon. This is probably the worse time to blog since I am not thinking terribly clearly. Yet I don't want another day to pass with adding something to my personal blog.

When I'm not in front of my computer, my mind races with ideas for my blog. But right now, I'm at a loss as to what to write -- save this self-referential drivel.

Just got the latest issue of The New York Review. Started reading Freeman Dyson's review of James Gleick's new book Isaac Newton. (Quite fitting to have a great physicist review a book about the greatest physicist of all time....) I'm also looking forward to reading Clifford Geertz's second part of his megareview of new books on Islam. Indeed, I might read it in bed tonight. I'll read the review and think about the new books -- though I am getting small hints that what I'm really after will not be found in the books. Not quite sure what I'm looking for though.

Happy Father’s Day

I hope that all of you out there are having a great time celebrating Father's Day -- as a father yourself or as someone who has a father. Since I sent my Dad a card a few days ago, it probably hasn't arrived in Toronto yet. It's not the usual type of card I send -- it's actually sillier and more sentimental than usual. But I hope he'll like it.

I'll give him a call in a few hours, wishing him a wonderful Father's Day, hoping that I'll be able to convey even a small part of how much I love him.

How can I not consider the gallery space?

The wonderful thing about being part of a great blogging community is that there is so much good material written by friends, eliciting many thoughts and reactions. The bad thing is there is so much to respond to, and I never quite have the energy to do so immediately.

I'm now getting around to thanking Chris for his reflections on his visit to the SF Asian Art Museum. Once I read Chris' observations, I immediately thought, "hey how can I totally miss out on how the building affected the viewing of the collection." We're in agreement that the collection at the SFAAM is fantastic. I've just been wrapped up with the individual objects. Chris has changed the way I now see the relationship among the objects; he articulated what I had not verbalized.

I too am very interested in what electronic media can do for presenting the materials of the SFAAM. A topic for posts to come, I hope.

Complications on a Smooth Saturday Afternoon

On a Berkeley Saturday afternoon marked by weather that is the envy of friends who don't live in the Bay Area, I trotted over to my local branch of the Berkeley Public Library to pick up the latest book on hold for me: Complications: A Surgeon's Notes on an Imperfect Science The book first entered my consciousness when I encountered an essay in The New Yorker by Atul Gawande, the book's author. When my friend Grace then emailed me some of her thoughts about Complications, I threw the book on my Berkeley Public Library hold list (a la Netflix), looking forward to reading the popular book whenever it happened to come my way.
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WANTED: compelling portraits of Jesus in film

Last night, eight of us went to see Nicholas Ray's King of Kings. As I have written previously, I would not have seen this film save for the fact that it was by a great film maker; I'm a Christian who is prejudiced against Bible films. I write and speak out of ignorance, however, since I have actually seen very few films drawing from Biblical stories (and specifically the life of Jesus). But that hasn't stopped me from writing them off as schlock.
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Multiple genres and voices

In all my blog writing so far, every time I've written "I", I have been speaking for myself. I've also been very careful in what I've written, to be as honest and truthful and accurate as possible -- stating what I do know and don't know.

I'm getting tired to writing in just this way.

So how can I write a poem or a story or a blob of text or drop in a drawing in this space without the "I" literary being "me"? Should I depend on context? Should I use some type of typographic or graphical convention? Should I mark it "story" or "fiction". I hope that if I'm writing a parody (say a parody of myself), that I wouldn't have to explicitly mark it with "Warning: self-parody".

How do others do this? There are probably examples in my own blogging community of such doings -- forgive me for not paying closer attention and missing out. Something I think that Laura might have something in her blog of this nature. Maybe Chris or Lloyd or Catherine. I thought tonight that textism might be what I wanted to study -- but my initial look did not yield what I wanted. Actually, maybe it's Ray Davis who has blogs that address this issue.

What does Kenneth Pollack think today?

Both Lloyd and I wrote about Kenneth Pollack's Threatening Storm some time ago in our blogs as a must-read book in assessing the case for an invasion of Iraq. Pollack's book made me think, "hey maybe there is a sound case to be made for war given how Iraq might become an even more terrible menace to the world". So as I mull the current post-Iraq war situation, as I wonder whether the Bush administration misled the American public about how much it knew about weapons of mass destruction -- indeed wonder what is really true and who I can really believe in such a complex morass of spin -- I've been wondering how Pollack now stands.

Salon.com | Joe Conason's Journal points to a recent NPR interview with Kenneth Pollack. Now is Pollack back-peddling or was he duped or did we misinterpret Pollack? He seemed to one of the more credible analysts on the scene, but I don't know what to think right now.

Twenty-two holds already!

When I decided to see whether I could put a hold on Hillary Clinton's new book Living History at the Berkeley Public Library, I discovered that 22 people had beaten me to the punch. The BPL hasn't even taken ownership of any copy of the book. I look forward to reading the book sometime this fall....