How can I not consider the gallery space?

The wonderful thing about being part of a great blogging community is that there is so much good material written by friends, eliciting many thoughts and reactions. The bad thing is there is so much to respond to, and I never quite have the energy to do so immediately.

I'm now getting around to thanking Chris for his reflections on his visit to the SF Asian Art Museum. Once I read Chris' observations, I immediately thought, "hey how can I totally miss out on how the building affected the viewing of the collection." We're in agreement that the collection at the SFAAM is fantastic. I've just been wrapped up with the individual objects. Chris has changed the way I now see the relationship among the objects; he articulated what I had not verbalized.

I too am very interested in what electronic media can do for presenting the materials of the SFAAM. A topic for posts to come, I hope.

Complications on a Smooth Saturday Afternoon

On a Berkeley Saturday afternoon marked by weather that is the envy of friends who don't live in the Bay Area, I trotted over to my local branch of the Berkeley Public Library to pick up the latest book on hold for me: Complications: A Surgeon's Notes on an Imperfect Science The book first entered my consciousness when I encountered an essay in The New Yorker by Atul Gawande, the book's author. When my friend Grace then emailed me some of her thoughts about Complications, I threw the book on my Berkeley Public Library hold list (a la Netflix), looking forward to reading the popular book whenever it happened to come my way.
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WANTED: compelling portraits of Jesus in film

Last night, eight of us went to see Nicholas Ray's King of Kings. As I have written previously, I would not have seen this film save for the fact that it was by a great film maker; I'm a Christian who is prejudiced against Bible films. I write and speak out of ignorance, however, since I have actually seen very few films drawing from Biblical stories (and specifically the life of Jesus). But that hasn't stopped me from writing them off as schlock.
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Multiple genres and voices

In all my blog writing so far, every time I've written "I", I have been speaking for myself. I've also been very careful in what I've written, to be as honest and truthful and accurate as possible -- stating what I do know and don't know.

I'm getting tired to writing in just this way.

So how can I write a poem or a story or a blob of text or drop in a drawing in this space without the "I" literary being "me"? Should I depend on context? Should I use some type of typographic or graphical convention? Should I mark it "story" or "fiction". I hope that if I'm writing a parody (say a parody of myself), that I wouldn't have to explicitly mark it with "Warning: self-parody".

How do others do this? There are probably examples in my own blogging community of such doings -- forgive me for not paying closer attention and missing out. Something I think that Laura might have something in her blog of this nature. Maybe Chris or Lloyd or Catherine. I thought tonight that textism might be what I wanted to study -- but my initial look did not yield what I wanted. Actually, maybe it's Ray Davis who has blogs that address this issue.

What does Kenneth Pollack think today?

Both Lloyd and I wrote about Kenneth Pollack's Threatening Storm some time ago in our blogs as a must-read book in assessing the case for an invasion of Iraq. Pollack's book made me think, "hey maybe there is a sound case to be made for war given how Iraq might become an even more terrible menace to the world". So as I mull the current post-Iraq war situation, as I wonder whether the Bush administration misled the American public about how much it knew about weapons of mass destruction -- indeed wonder what is really true and who I can really believe in such a complex morass of spin -- I've been wondering how Pollack now stands.

Salon.com | Joe Conason's Journal points to a recent NPR interview with Kenneth Pollack. Now is Pollack back-peddling or was he duped or did we misinterpret Pollack? He seemed to one of the more credible analysts on the scene, but I don't know what to think right now.

Twenty-two holds already!

When I decided to see whether I could put a hold on Hillary Clinton's new book Living History at the Berkeley Public Library, I discovered that 22 people had beaten me to the punch. The BPL hasn't even taken ownership of any copy of the book. I look forward to reading the book sometime this fall....

Asian Pacific American Heritage Month Resources (KQED)

Although I missed all the programming from KQED during Asian Pacific American Heritage month (May), I do appreciate KQED's KQED | Asian Pacific American Heritage: Resources 2003, which is described as "only a small portion of the many resources that serve the Asian Pacific American community in the Bay Area." This list should come in handy as I get increasingly involved with the Asian American/Canadian communities.

I’m looking forward to reading David Ledbetter’s book

Because I've been listening intently to Bach's Well-Tempered Clavier (Books I and II) for a year now, I was thrilled to see a new book on the subject: Bach's Well-Tempered Clavier: The 48 Preludes and Fugues. I was disappointed that someone beat me to putting it hold at the music library -- but I need to be patient! I'm hoping the book will explicate some of the wonders of the music and pinpoint the whys and hows of the power of the WTC.

(Hmmm...using the Amazon "see related items" feature, I found another book that is currently on the shelf and can therefore be in my impatient hands sooner: Bach: The Goldberg Variations.)